Devil's Tale Posts
Contributed by Amanda Mixon, PhD Candidate, Comparative Literature, University of California, Irvine. Read more in their recent article: Amanda Mixon (2019): “Not in my name”: the anti-racist praxis of Mab Segrest & Minnie Bruce Pratt, Journal of Lesbian Studies, DOI: 10.1080/10894160.2019.1678964
With the assistance of a Mary Lily Travel Grant, I visited the Sallie Bingham Center in the summer of 2018 to carry out research for my dissertation, which analyzes how a group of white southern lesbian writers theorize whiteness and practice anti-racist activism. The project is as much invested in tracing friendships and influences as it is in elaborating a single individual’s political thought. Therefore, when perusing the papers of Dorothy Allison (1949-), Minnie Bruce Pratt (1946-), and Mab Segrest (1949-), I was especially interested in how the holdings might give voice to these women’s relationships with each other and the two other figures in my study, Rita Mae Brown (1944-) and Lillian Smith (1897-1966).[i]“‘Listening to Sounds Larger Than Our Own Heartbeat’: A Conference on Lillian Smith” brochure listing talks by both Mab Segrest and Minnie Bruce Pratt, held at Georgetown University, October 7-9, 1994. From the Mab Segrest Papers, Box 63.
I knew that Smith, arguably the most outspoken white southern critic of Jim Crow segregation, had a profound impact on Pratt and Segrest. Her lifelong partnership with Paula Snelling (1899-1985) and searing critiques of white supremacy offered Pratt and Segrest a foundation from which to learn and build. However, when scanning Pratt’s papers, I was surprised to find an unpublished stage play that Segrest wrote about the couple in the late eighties. There, Segrest prioritizes Snelling’s experience, allowing her to criticize Smith for closeting their same-sex relationship. As Segrest told me in person, this centering is an ode to the significant amount of unrecognized work that Snelling contributed to Smith’s career and their collaborative projects. But what I found most compelling was Segrest’s creative license with the couple’s relationship: that is, no primary or secondary sources confirm the dynamic that Segrest depicts. As such, the untitled play is not only an example of how we represent historical figures in order to do them justice, but also an account of what those figures emotionally do for us. In their published nonfiction, both Segrest and Pratt express a yearning for a Smith not bound by the closet’s silence. In the play, Snelling becomes the voice of that desire. She asks: what would it have meant—for Smith’s own career and life, for Snelling, and for the countless women inspired by their work—if Smith had claimed a lesbian identity?“Scenes from play about Lillian Smith” by Mab Segrest, original pictured here from the Mab Segrest Papers, Box 63. Another copy is located in the Minnie Bruce Pratt Papers, Box 57.
[i] Rita Mae Brown is author of the 1973 lesbian coming of age novel Rubyfruit Jungle. Lillian Smith was a white civil rights activist, known for her 1944 novel Strange Fruit, which featured an interracial couple.
Blog post contributed by Liz Adams, Rare Materials CatalogerVolume of Hogarth prints awaiting treatment in conservation.
Way back in 2018, back when the new decade was but a glint in our eyes, we received something very big (literally and metaphorically) here at the Rubenstein: a single volume of 83 prints associated with William Hogarth. The creation dates for these prints span from 1732 (Midnight modern conversation) to 1781 (Mr. Walpole). Some of them are sincere, like a portrait of the actor David Garrick as Richard III. Others chart corruption and vice, notably in the series A rake’s progress and A harlot’s progress. Still others are pointed rejoinders to Hogarth’s nemeses, which included people like the satirist Charles Churchill (The bruiser, C. Churchill), alcoholic beverages (Gin Lane), and the French military. The themes are varied; the production methods evolve; and even Hogarth’s role in the creation of these prints oscillates between publisher, printer, artist of original work, and artistic supervisor. The prints are thus unified by their differences.Hogarth engraving: “The Sleeping Congregation.” A note on the right corner notes that this engraving was “retouched & improved April 21 1762 by the Author.” Description from catalog record: The scene is the interior of a perpendicular Gothic church. The sand in the hourglass has run out, but the preacher continues to lecture, oblivious to the fact that his congregation has fallen asleep….”
In 2019, I learned these differences were not just between prints but also within them. Hogarth was a tinkerer: He would return to the same copper plate, darkening and expanding shadows, adding crosshatching, changing clothing and facial features, and even excising text. He would do this work multiple times, releasing subsequent editions, or “states” of each print. There are at least ten different versions of some of Hogarth’s most famous prints, all subtly different and requiring the viewer to have excellent “I spy” skills. Luckily (for me and you, but mostly me), Hogarth is a very famous and well-studied artist. Dr. Ronald Paulson’s Hogarth’s graphic works tracks every change, making it possible to differentiate between moderate cross-hatching and slightly deeper cross-hatching. Thanks, Dr. Paulson!Hogarth engraving: “The bench : of the different meaning of the words character, caricatura and outrè in painting and drawing.”
I want to point out just one more wrinkle: After Hogarth’s death in 1764, his copper plates first went to his family, who then sold them to the publisher John Boydell. In 1790, Boydell published a volume of Hogarth’s works using the unaltered copper plates. Thus, a print that might be physically dated 1732 might really have been printed in 1790, long after Hogarth’s death. Furthermore, Boydell printed the plates on laid paper given to him by Hogarth’s wife Jane, as well as on a newer type of paper known as wove (Donihue). This can make dating quite complicated, as the use of laid paper might still mean that Boydell printed it, and not Hogarth. Some of our prints are also trimmed and mounted, making it hard to distinguish paper at all. In situations like that, caveats in catalog records really do work wonders.
This all leads me to 2020. The future that seemed far away is our present. Our once uncataloged volume of 83 Hogarth prints is now very much cataloged. You too can see what comes of industry and idleness (spoiler: basically what you’d expect) and what wigs looked like in the 18th century (elaborate and itchy). Happy new year, new decade, and new researching to you all!Hogarth engraving: “The five orders of perriwigs as they were worn at the late coronation, measured architectonically.”
These prints were a gift acquired as part of the Frank Baker Collection of Wesleyana and British Methodism.
Donihue, David. “Boydell Editions.” In Development: William Hogarth Prints: Boydell Editions, 17 Mar. 2005, http://www.greatcaricatures.com/articles_galleries/hogarth/html/editions/ed_boydell.html.
Post contributed by Michelle Runyon, Marshall T. Meyer Intern for the Human Rights Archive.
This semester I have had the pleasure of processing the Robert J. Cox papers, the collection guide for which is now available.
Although he wouldn’t know it at the time, 1979 would become the most eventful year of Robert Cox’s life. A British journalist who spent most of his adulthood up to this point in Argentina, Cox found out that his son Peter had received a highly detailed anonymous death threat. The threat came as a result of Cox’s work covering the Dirty War as the editor of the English-language newspaper the Buenos Aires Herald. Cox and his family decided to flee from Argentina. His wife Maud Cox and their five children all came to England and then the United States with him at Harvard where Cox held a Nieman Fellowship. They later came to Charleston, South Carolina where Cox became the assistant editor for the Post & Courier.
A strong theme throughout Cox’s papers is the disappearances of political activists and dissidents, especially those of Jewish descent, throughout the country. Cox himself wrote about the desaparecidos (disappeared) and advocated for the Buenos Aires Herald to cover the violence enacted against them. Articles within the collection that cover the kidnappings range from brief passages to notices created by family members of the “disappeared.” However, one format that stands out above others in the collection never made their way into being published in an official formats – pamphlets created by the family members of the disappeared.
These pamphlets, almost zine-like, were created by Xeroxing official documents, photographs, newspaper clippings, and passages written by the creators alongside one another to create a narrative about what was known about the disappearance of this individual or group of individuals.
We know that at least one of these pamphlets was mailed to Robert Cox himself, as evidenced by Robert Cox’s mailing address on the back of the pamphlet. Working with the ERP (the People’s Revolutionary Army), Jorge Marcelo Dyszel Lewin and his wife Mirtha Nelida Schwalb de Dyszel were disappeared May 18, 1978. They were 22 and 21 years old respectively. Jorge was from a Polish Jewish immigrant family. This pamphlet was likely created by Jorge’s mother, Beatriz Lewin, who was very active in Las Madres de la Plaza de Mayo (the Mothers of the Plaza de Mayo).Pages from pamphlet of the disappearance of Jorge Marcelo Dyszel Lewin and Mirtha Nelida Schwalb de Dyszel
Another pamphlet tells the story of the disappearances of Graciela Antonia Rutilo Artes and her daughter Carla Graciela Rutilo Artes. Graciela’s mother Matilde Artes Company created the pamphlet and became active with Las Abuelas de la Plaza de Mayo.Pamphlet on the disappearance of Graciela Antonia Rutilo Artes and Carla Graciela Rutilo Artes.
The Grandmothers and the Mothers of the Plaza de Mayo continue to work to hold accountable those who disappeared their grandchildren and children.
Cox did not return to Argentina for over a decade. However, from afar, Cox wrote about Argentina with continued urgency and commitment. His personal papers reflect this engagement, consisting of his own personal writings and those collected by him written by colleagues or other interested parties about Argentina. When democracy was restored to Argentina with the election of Raúl Alfonsín, Cox reported on this and outlined the challenges that lay ahead of the new president as he grappled with the aftermath of the Dirty War. His reporting continues shape how Argentines and the outside world view Argentina and its recent history.
His story is also told through two books written by his wife Maude, Salvados del Infierno: A 25 años de la dictadura Argentina, and his son David, Dirty Secrets, Dirty War: The Exile of Robert J. Cox.
If you are interested in learning more, a documentary film about Cox’s life and work called A Messenger on a White Horse is available from the Lilly Library. A shortened version of the film is also available on Amazon Prime.
The post The Disappeared and Their Editor: the Robert J. Cox Papers appeared first on The Devil's Tale.
Post contributed by Brooke Guthrie, Research Services Librarian.
A few days ago, I went searching (in the catalog) for the perfect Thanksgiving-related item and came across a folder titled “Turkey Test, 1951-1952” in the papers of Theodore “Ted” Minah. What kind of test could Minah, the Director of Duke University Dining Halls from 1946 to 1974, be conducting on turkeys? Was it a taste test or some sort of “mystery meat” challenge? Was he investigating the sleep-inducing properties of turkey meat? Was he out to prove that turkeys really are as dumb as they are rumored to be?
Sadly (for us), Minah was a practical fellow and it was none of those things. Minah, who worked hard to provide quality food at the lowest price to the university, wanted to know if turkey could be a cost effective meat option for campus dining halls. The test was part of an effort by the National Turkey Federation (NTF), an organization representing turkey farmers and processors, to better market the turkey and get more turkey on more American tables. (The NTF is also the organization that provides turkeys for the annual White House turkey pardon.)Chart showing the results of the Duke turkey test.
Duke, along with dining offices at other schools, participated in a 1951 study to determine how much edible meat a cooked turkey yielded and how much a single serving of turkey would cost. Led by Food Production Manager Majorie Knapp, Duke cooked several whole turkeys and took detailed measurements before and after cooking. Duke’s test used Broad Breasted Bronze turkeys from Sampson County, North Carolina which, according to Minah, “is a delicious eating turkey.”
According to the results of the Duke test, turkey would cost around $1.50 per pound of cooked meat and around $0.20 per serving. In her summary, Knapp noted that the price for chicken was cheaper at $1.37 per pound. A serving of chicken would be a few cents cheaper than turkey.Marjorie Knapp’s turkey test report.
The test results were submitted and later included in NTF marketing materials designed to get turkey on the menu at places like schools, hotels, and hospitals. In addition to the study results and Ted Minah’s correspondence about the study, the “Turkey Test” folder also includes a few of these industry publications.Turkey marketing materials from the Ted Minah papers.
The booklets and brochures, with catchy titles like “Carving the Turkey for Portion Control and Greater Profit” and “Pre-Cut Turkeys for Institutional Use,” mostly contain recipes and instructions for properly cooking a turkey. The recipes were certainly creative. Creamed Turkey in Pastry Tart, Turkey Salad Roll, and Turkey Chow Mein on Chinese Noodles (to name just a few) were suggested as “profit-making turkey dishes.”
“Profit-making” recipe ideas from the National Turkey Federation.
If you are desperately seeking things to do with all of those turkey leftovers, the NTF has your back. You could make a Jellied Turkey Salad, put some gibblets on toast, or impress your guests with jellied turkey feet. They even provide tips on what to do with the carcass!Turkey recipes including jellied turkey and turkey feet. More turkey recipes including 33 ways to serve turkey and how to best use that turkey carcass.
The Ted Minah materials include one more turkey item worth mentioning. He was sent a booklet of photos showing turkeys frolicking on a farm. It includes a photo of a turkey that doesn’t seem particularly pleased to have his photo taken for the purposes of marketing his own deliciousness as food.Turkey snapshot featuring turkey that’s not having a good time.
If your uncle brings up politics at Thanksgiving dinner, just turn the conversation toward the fun facts you learned in this blog post and then you can all bond over your love of jellied turkey feet.
The David M. Rubenstein Rare Book & Manuscript Library is now accepting applications for our 2020-2021 travel grants. If you are a researcher, artist, or activist who would like to use sources from the Rubenstein Library’s research centers for your work, this means you!
The Sallie Bingham Center for Women’s History and Culture, the John Hope Franklin Research Center for African and African American History and Culture, the John W. Hartman Center for Sales, Advertising & Marketing History, the History of Medicine Collections, and the Human Rights Archive will each award up to $1,500 per recipient ($2,000 for international applicants to the Human Rights Archive) to fund travel and other expenses related to visiting the Rubenstein Library. The Rubenstein Library also awards up to $1,500 for individuals who would benefit from access to our gay, lesbian, bisexual and transgender history collections through the Harry H. Harkins, Jr. T’73 Travel Grant.
The grants are open to undergraduate and graduate students, faculty, independent scholars, artists, and activists who live more than 100 miles from Durham, North Carolina, and whose research projects would benefit from access to collections held by one of the centers listed above.
More details—and the grant application—may be found on our grants website. Applications must be submitted no later than 5:00 PM EST on January 31, 2020. Recipients will be announced in March 2020.
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Post contributed by Rachel Ingold, Curator, History of Medicine Collections.
Date: Tuesday, November 19, 2019
Time: Noon (12 p.m.)
Location: Holsti-Anderson Family Assembly Room (Room 153), Rubenstein Library
Contact: Rachel Ingold, email@example.com, (919)684-8549
Please join us Tuesday, November 19 at noon for our next Trent History of Medicine Lecture Series. Justin Barr, M.D., Ph.D., will present Creating a Profession: The Education of American Surgeons, 1900-1960.
In 1900, anyone with a medical degree could declare themselves a surgeon and operate on patients. By 1960, American surgeons had to complete rigorous, uniform, and regulated training called residency. Influenced by war, supported by the federal government, and driven by professional organizations, the transformation of residencies over these decades from extraordinary, unique experiences to mandated, standardized education helped create a unified profession of surgery that continues to influence health care in this country.
Dr. Barr is currently a general surgery resident and an instructor in the Department of History at Duke University.
All are welcome to attend. Light lunch will be served.
Sponsored by the History of Medicine Collections in the Rubenstein Rare Book & Manuscript Library.
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Post contributed by Hillary Gatlin, Records Manager.
With the 150th anniversary of the first American college football game fast approaching (Rutgers faced off with Princeton on November 6, 1869), let’s take a look back at Duke University’s early football history.Trinity College Football Team, 1888
The beginnings of Duke football stretch all the way back to Trinity College. The first “Duke” football game was played on Thanksgiving Day 1888. Football was introduced to Trinity College by President John Franklin Crowell, who imported it from the northeast. Born in York, Pennsylvania, Crowell had attended Dartmouth College before transferring to Yale where he earned a B.A. degree in 1883. Crowell then served as principal of Schuylkill Seminary in Pennsylvania, eventually returning to Yale to study at both the Divinity and Graduate Schools. Crowell began his presidency at Trinity College in 1887.
Crowell was a strong advocate of physical fitness and felt a football team would benefit the health of the Trinity College community, a far cry from current health concerns about the modern game. Crowell was in fact the coach of the first football team, which defeated the University of North Carolina in its first game 16-0 on Thanksgiving Day 1888 at the state fairgrounds in Raleigh. Crowell’s version of football, imported from Yale, used an oval ball and focused on rushing rather than kicking. These new “scientific rules” of the American Intercollegiate Conference resulted in this game being considered the first true college football game in the American South.
Crowell brought football to Trinity College, but not without controversy. Many church leaders, highly influential given Trinity’s close relationship with the Methodist Church, complained about and protested the matches, declaring the sport to be too dangerous. After Crowell’s resignation as President in 1894, the next President of Trinity College, John Carlisle Kilgo, banned football that December, stating that it was too dangerous to play.
Trinity students and alumni were not happy about the ban. They routinely complained about the absence of football and fought for its reinstatement. There was even a demonstration in the fall of 1913. However, administrators would not budge. Football was too dangerous, too expensive, immoral “in the methods used to win victories”, and resulted in scandalous conduct. Intercollegiate football remained banned at Trinity College.
Football began to be reinstated in 1918. A commission was formed to review the case for football on campus, and play eventually resumed on October 1, 1920 with Trinity beating Guildford College 20-6.A player heroically dives for the ball during a game in the 1920’s.
College football has been a continual presence on campus since 1920, including through the creation of Duke University and the beginnings of West Campus. The first football game at Wallace Wade Stadium, then called Duke Stadium, took place on October 5, 1929. Over 90 years ago, Duke’s reinstated program lost big to Pittsburgh, 57 to 7.This is the kick-off to a Duke game in Duke Stadium, later known as Wallace Wade Stadium, circa 1929.
Post contributed by Steph Crowell, Trent History of Medicine Intern.
Frank Clyde Brown was an English professor at Trinity College in 1909. Although, to call him just an English professor is a bit of a disservice- he was also the chairman of the English department, the University Marshal, the Comptroller of the University… he wore many hats while he was here. But, most importantly for today, he was an avid folklorist throughout his career.
He was so interested in North Carolina and Appalachian folklore that he helped to begin the North Carolina Folklore Society. Although busy with his many university roles, he still found the time to roam about North Carolina (or send his students to do so) and collect people’s stories and beliefs. The resulting collection of all these research materials, the Frank Clyde Brown Papers, 1912-1974, is absolutely massive. Alongside the huge print collection, there is a digitized collection of audio performances Brown collected during the course of his research- the physical wax cylinders and discs that they come from are still in the collection to be seen, but the only way to listen to them is through Duke’s Digital Repository.
But, in the spirit of the season, I took a look at box 45 of the print collection. Folk medicine is a wonderful and often strange portion of the history of medicine, and I quickly found that this collection reflected that idea. In this particular box are folders full of small pieces of paper that have bits of folk knowledge printed on them, as well as the source of that knowledge, be it a person or a book.3:B:Z(8)-3:B:Z(16), Frank Clyde Brown papers, David M. Rubenstein Rare Book & Manuscript Library, Duke University. Click to enlarge.
As you can see, some of these cures may not be quite what you expect. You couldn’t expect that washing your face with cool water may help alleviate a headache, but water that runs north? Why is that significant? Do beetles really only have two drops of blood in their bodies?
The thing that’s most interesting about this box is how the materials transition from folk medicine cures of diseases and insect bites into the supernatural. Some of these cures could arguably be called magical, but conceptually they still have to do with curing something wrong with the body- but what about spiritual health? What bad omens are out there that could impact my health? How do I know if he loves me or not? How can I get an edge on my exam tomorrow?4:A-4:C, Frank Clyde Brown papers, David M. Rubenstein Rare Book & Manuscript Library, Duke University. Click to enlarge.
In a context where the supernatural is accepted and has an effect on one’s personal health, it also stands to reason that one should be afraid of witches. Someone who has the power to bedevil you against your will, curse you with bad luck, make you sick? Because of this fear, the next few folders that follow the common sense cures and the charms are things to directly deal with witches. There are counter-spells, ways of identifying witches, and, most importantly, ways to keep them as far away from you as possible.4:A-4:C, Frank Clyde Brown papers, David M. Rubenstein Rare Book & Manuscript Library, Duke University. Click to enlarge.
It can be difficult these days to think that medicine can or should be magical, but in the spirit of the season I would invite you to try. These materials are available to you to look at with many more cures and curses, all you have to do is register and request and we’ll be happy to retrieve them for you.
A note about the collection: if you’re looking at the collection, just keep in mind that these papers directly quote real people; as such, there are a handful of these items that contain racial slurs and some other outdated language that we find offensive today.
Staff recommendations from the collection:
Honorable mentions for Halloween:
Post contributed by Chiara Amoretti, PhD candidate, University of Bristol, UK
After the generous award of a Mary Lily Research Grant, I travelled to Duke University this winter to conduct research for my doctoral dissertation, a study on modern and contemporary women writers and the creation of a female divine. My project focuses on three authors, including Kathy Acker, so I was excited to have the opportunity to consult the Kathy Acker Papers housed here at the Rubenstein Library. The collection spans notebooks, drafts, typescripts, annotations, correspondence and much more. My research goal was to find any evidence that Acker engaged with religion and religious discourse or texts, but more importantly how she engaged with it. To better understand her published work’s fragmented use of such suggestions, I wanted to see how Acker had originally worked them into her texts.
In order to do this, I studied the many notebooks containing Acker’s drafts for her novels and other unpublished material. Her drafts amazed me not just for the evidence of relentless work and self-editing that she put her writing through, but especially for the many different uses of heterodox religious language that appear therein. I was particularly struck to find one of her notebooks containing a discussion of her cancer treatment, in an extended metaphor, as a Shamanic initiation rite. This seems to highlight the spiritual significance, for Acker, of her choice of alternative medicine, and a way to reclaim her lived experience in response to her diagnosis.
The archive also illuminated my understanding of Acker’s fascination with para-religious activities and discourses. Her interest in astrology, which her published work hints at, takes on deeper meaning after seeing the natal charts of herself, and other people in her life, that Acker consulted. This shows her attachment to diverse forms of spiritual meaning-making, especially towards the end of her life. My visit to the Acker Papers has been invaluable for my research, showing me many unexpected ways in which Acker devised her own spiritual narrative experimentation.
Post contributed by Paula Jeannet, Visual Materials Processing Archivist at the Rubenstein Library
Did you know that October is American Archives Month? During this time archivists and their allies take to social media and other outlets to raise public awareness about the importance of preserving the historical record. This year’s theme in North Carolina is “Activism and Social Justice in North Carolina.” To honor that theme, this post highlights an inspiring N.C. activist organization whose records are in the David M. Rubenstein Rare Book & Manuscript Library.
Officially founded in 1992 in Durham, N.C., Student Action with Farmworkers (SAF) has brought college and high school students and farmworkers together to collectively work for economic justice, consumer awareness, and improved living and working conditions for people who grow and harvest our food.
The long arc of SAF’s activist work, which began in the 1970s, is well-represented in their archives in the Rubenstein library. The collection’s 148 boxes house materials documenting SAF’s founding, its operations, meetings, and planning, and records on every program from inception to launch. There are many photographs, audio, video, and, with the arrival of the 2000s, digital records.These educational fliers and worksheets are found in Box 145 of the Printed Materials Series.
College-age interns, many of them from farmworker families, travel to isolated rural migrant camps to document living conditions through photography, oral histories, and writing. Thousands of SAF student alumni have also gone out into the world to join and found other social justice programs and organizations.NC migrant camp at night during health outreach. Photo by Jim Coleman, 2010. From “Theater in the Fields” SAF publication. Cover of “Recollections of Home / Recuerdos de mi tierra: A Compilation of Folklife Documentaries by Student Action with Farmworkers’ Interns,” 2000. Photo by Rachel LaCour, 1999: Latino teenagers at a quinceañera. Table of contents from “Recollections of Home / Recuerdos de mi tierra.” Page from “Fields Without Borders / Campos sin fronteras”: Women’s stories, often overlooked, are told through photographs as well as oral histories, preserved in this publication in the Printed Materials and in the Audiovisual series of the SAF collection. Photo by Chris Sims, 2004.
Student projects such as this 2011 video documentary created by three students are housed in the SAF collection at the Rubenstein (student project folders require permission for access). Through Story+, a summer research internship sponsored by Duke University libraries and the John Hope Franklin Humanities Institute, students have created several other SAF video documentaries.
An integral part of SAF’s work is educational programming and outreach for children, teens, and adults. In 2014, SAF’s Levante Leadership program was recognized as one of the most effective programs in the nation that improves educational outcomes for Latino students.
SAF also organized and participated in protest actions, including the Mount Olive Pickle Company and Burger King labor protests. These actions directly led to improved conditions in the factories and fields.
Did you know that many farmworkers are forced to live next to fields sprayed with pesticides? SAF has mounted successful long-term campaigns on specific issues such as pesticide safety that include outreach tools such as this video for children called “José Learns About Pesticides.”
Theater in the Fields brings a powerful message and educational opportunities to the fields where agricultural workers toil. The giant puppet “Big Papa” is also found in the SAF archives! The puppet was created by NC sculpture artist Daniel L. Mathewson (1964-2011) for the play “Gigantes en los Campos/Giants in the Fields,” written by NC writer Cara Page. The Big Papa character had few lines, but loomed ominously over scenes in the play as a method of intimidation and mockery of the farmworker characters.This publication is found in the Printed Materials series of the Student Action with Farmworker’s collection, along with the other materials featured in this blog post. Actors in Teatro en el Campo
The mobilization of students and farmworkers originally begun at Duke in the 1970s was in part inspired by a 1960 documentary by N.C. journalist Edward Murrow, “Harvest of Shame.” Today, the same labor, health, and social justice issues continue to plague the U.S. agriculture system, so Student Action with Farmworkers continues its work to improve conditions and to make their vision a reality, that “One day, all farmworkers will have dignity in their work and livelihood.”
During this Archives Month, we salute those who give so much of their energies to justice, and to those who recognize the importance of keeping this history alive in collective memory by placing their records in an archive.
The records of the Student Action with Farmworkers organization span the entirety of their history, and are available at the Rubenstein Library. Learn more by visiting the online collection guide.
To learn more about SAF, view this video. There are more videos on this site, many using archival resources from the collection to tell the farmworkers’ stories. Also, check out their 25th anniversary “More Than One Story” exhibit and web site.
The post Into the Fields and into the Archives: Student Action with Farmworkers appeared first on The Devil's Tale.
Post contributed by Steph Crowell, Trent Intern for the History of Medicine Collections.
In the spirit of the season, and in preparation for Screamfest VI here at the Rubenstein, we’ve been combing through our collections for all things creepy and unsettling. The History of Medicine has plenty of these things to go around, from medical instruments and artifacts to anatomical flap books to scary stories submitted to Duke’s old parapsychology lab (which includes the original material for the movie Poltergeist!), and much more. Being so spoiled for choice, we thought it best to ease into the festivities with some small, humble, yet significant contributors to the history of medicine: insects.
One might expect something called The Minor Horrors of War to contain stories related to the horrors of battle, the horrors of field medicine, or something equally gruesome, but this little volume takes a different direction: it talks about the how different arthropods and annelids may cause and treat illnesses for soldiers in the field. It covers lice, bedbugs, flies, mites, moths, and, leeches.Frontispiece and title page
The wonderful thing about this book is the author’s ability to break up the technical entomological information he provides with easy-to-understand and frequently witty prose. For example, in the flies section of the book there is a particularly gruesome section on the impact of the Congo-floor-maggot, blow-flies, and others responsible for myiasis (“the presence of… larvae in the living body… as well as the disorders… caused thereby.” pp. 81). He ends this section a kind of silver lining to the discussion and says that we have “at least discovered the reason why Beelzebub was called the ‘Lord of the Flies’” (86).
Throughout the book, as you can probably tell by the images so far, are figures depicting many of the creatures being discussed. Throughout, you can see all these different kinds of creatures in varying degrees of magnification depending on the needs of the author. As shown below with a couple pictures of mites, this magnification can range from birds-eye views of different phases of an insect’s development to an incredible zoom-in that can more clearly show the reader each individual extremity and wrinkly that may be found on the insect’s body.
Finally, onto leeching. Leeching is perhaps one of the most famous uses of invertebrates in medicine (you can read a little about why that is the case here), and leeches are the creature that this author spends the most time describing. Unfortunately, you won’t find many images of a leeching session in progress but, just like in the rest of the book, there are many illustrations on the fine details of the leech itself. Despite the author’s claim that leeches are “undoubtedly degenerate earth worms” (124), he spends a great deal of time describing both medicinal leeches and exotic leeches (pictured below).
If you have some time, particularly this month, we would highly recommend stopping by for a little while and taking a look at this book. You can find the catalog record here. It’s as easy as hitting the green request button on the page- just remember to give us a couple of days’ notice of your visit so we can be sure we have time to get it ready for you.
Don’t forget to keep an eye out for news and announcements related to Screamfest VI. It’s on the 30th this year, so be sure to leave some room in your schedule to come take a break with us! If you have any questions, as always feel free to drop by or contact us any time.
The insect folk– a more pleasant depiction of various kinds of insects. Dating back to 1903, this book was created to appeal to children and depicts friendlier versions of friendlier insects, such as dragonflies and crickets.
A natural history of the most remarkable quadrupeds– Like the previous book, this is more of juvenile-friendly account of certain creatures. It extends beyond insects to cover other animals like birds, reptiles, and more.
A short discourse concerning pestilential contagion– this could be a drier bit of reading, but if you’re interested in how insects who spread disease such as the plague were dealt with in the public health sphere, this could be a book for you.
Post contributed by [Matthew] Farrell, Digital Records Archivist.
The Duke University Archives collects records documenting University history. We’ve done it for a long time, and we’d like to think we’re (pretty) good at it. While there are a lot of organizational, legal, and business-oriented reasons to preserve the records of Duke, a university isn’t really a university without the students who live, study, and work here. So in addition to the records documenting Duke’s administration, building and grounds, and athletics, we also collect materials documenting student life.
One of the biggest and best sources of such materials are student organizations (fun fact: there are over 800 organizations listed in DukeGroups !). We accept records in a large number of formats, but since I’m the digital records archivist, I’m going to focus on DIGITAL FORMATS.
We accept many, many types of digital stuff from all types of student organizations. Some examples:
- Arts organization Amandla Chorus donated video recordings of their dance performances.
- Club Athletics organization Duke Taekwondo sent us digital photographs of their competitions.
- Political action organization Graduate Students Union donated document files in both MS Word and PDF regarding their struggle to gain official recognition as a labor union at Duke.
- Cultural organization Desarrolla asked us to crawl their website with our web archiving service.
- Social Justice organization Duke Students & Workers in Solidarity gave permission for us to harvest Tweets related to their occupation of the Allen Building in 2016.
We can work with your organization to identify the best way to get digital records to the Archives. Google Drive and Box are popular methods to transfer files to us from the Cloud. We can lend you a hard drive for files stored on local laptop or desktop computers. We can accept removable storage media of many different types (CDs, DVDs, thumb drives, ZIP disks, or Floppy disks). We have a whole website set up to give student organizations information about how to transfer materials to the Archives. We’ll consult with you to ensure that you’re sending us the records you want to send us, and not any sensitive material.
Bottom line: we want to make it as easy as possible for your organization to donate your records to our holdings, to ensure that the mark your group is currently making (or made if you’ve already graduated) enters the historical record, able to inspire future generations of Duke students.
Post contributed by Laura Smith, a Doctoral Candidate, History Department at the University of Arkansas. She is a 2019-2020 History of Medicine Collections travel grant recipient.
This question was the starting point for my dissertation research, and it has guided every research trip I have taken in my quest to understand how medical education functioned in the 1800s. The answer? It depends on the time period. In the 19th century, this wasn’t a question easy to answer. People didn’t always trust doctors, and they didn’t really start until medical schools began to provide enough clinical experience for their graduates to consistently produce better health outcomes for patients. I came to Duke to better understand the evolution of clinical experience in medical schools of the 1800s. These pictures trace that history.
Frederick Augustus Davisson went to Lexington, KY in the 1830s on his journey to becoming a physician. He took classes at Transylvania medical school from its most notable professors, Drs. Caldwell and Dudley, men whose publications and work in their communities initially gave Transylvania a decent reputation as far as medical schools went in this era. Davisson took good notes. He recorded the books that were suggested for him to read, books popular at the time.Davisson’s entry of medical books recommended to him.
His notes also reflect that medical knowledge in the 1800s was experimental, controversial, and personal as his writings reflect the differing opinions of his professors. “Dr. Dudley thinks his own plan better than any” for treating the retention of fluid in the genitals as it is “far more certain less painful and greatly more expeditious.” Dudley used a knife to drain fluid as opposed to a needle, explaining the benefits of each to his students.Davisson’s notes describing Dr. Dudley’s approach to a procedure.
The idea that medical knowledge was not solidified but debated in this era hints that a major challenge to the authority of doctors was surprisingly the slander of other physicians and schools. When Dr. James Conquest Cross, a professor at Transylvania, released a pamphlet on why Louisville, KY needed a medical school, many wondered how another school could be necessary when Lexington already had Transylvania so nearby. In the pamphlet, Cross argued that Transylvania’s school offered no actual experience in hospitals, no dissections, and therefore practiced antiquated medicine. Students improved with the advice of practicing physician-instructors, but nothing compared with the experience of practicing medicine themselves. Questioning the merit of Transylvania, Cross asked, “Who has ever seen a human body opened before the medical class, for pathological purposes? Which of her numerous alumni ever made, a pathological dissection under the eyes of one of her teachers? Of that individual we confess, we are just as ignorant as we are of the inhabitants of the moon.” Until Transylvania aligned with a teaching hospital like a school at Louisville would, it could not graduate credible physicians. The Rubenstein Library’s collections show rebuttal from Transylvania, however. The medical class of 1834 defended their professors, argued they had dissecting experience, and claimed Cross invented lies because of disappointment about being refused a higher position on the faculty. If it’s difficult for us to know who to believe in this debate, it was even more difficult for the public watching this conflict unfold.Statement from the medical students at Transylvania University defending their professors.
In the end, Louisville did build a medical school. Louisville Medical Institute wooed students with the promise of study in a working hospital, and Duke’s papers from Courtney J. Clark give a rare glimpse into what that early clinical experience looked like. Clark traveled from Alabama to take courses at the Louisville Medical Institute in the same era that Davisson went to Kentucky, and while Clark had similar lecture experience from Kentucky physicians, he also had notes from real cases he studied that Davisson did not. As Clark observed patients in the Louisville Marine Hospital, he learned from his practice, but his work and the work of the LMI faculty also benefitted the poor of the community who could receive low-cost medical care. Clark recorded the prescriptions and health plans of other physicians while closely monitoring the success of patients. When most medical history books praise the progressive teaching methods of Northern schools, these notes show that the medical schools of the US South made clear attempts to give experience while attempting to foster positive relationships with their communities.Clark’s notes describing his examination of a patient.
This comparison between two Kentucky medical schools through the notebooks of students shed light on how division within the medical community hurt physician trust. Rifts between schools like that between the cities of Lexington and Kentucky turned into ugly and public spectacles partly because for-profit schools competed so intensely for students and prestige. Ironically, long-lasting feuds between schools presented the public with a feeling that doctors could not be trusted as they could not even come to agreement among themselves, and in this way, doctors in the 1800s eroded their own medical authority.
So why do we trust doctors now? We trust doctors because most of us have agreed to trust science and evidence-based conclusions. We trust doctors when they time and again heal us. But perhaps, we also trust doctors because they appear unified, a surprisingly recent development in medical history offering a cautionary tale useful in our own professional and public divisions. Yes, even in 2019.
Post contributed by Craig Breaden, Audiovisual Archivist
Radio Haiti on YouTube? Now there’s an idea…. When the Radio Haiti team at the Rubenstein Library embarked on a pilot project to see how the collection would perform on YouTube and the Internet Archive, we imagined it would be a fairly straightforward process, and that it was a natural fit. The idea for the pilot, funded as part of an NEH grant, came from discussions around how to effectively re-broadcast the archive. “Take the archive to its listeners,” was a rallying cry, “to Haitians in Haiti!” This approach captured the spirit of Radio Haiti, whose tireless advocacy for democracy in Haiti was brought to a halt only by assassinations and death threats carried out under an umbrella of impunity. With our pilot now complete, we are left with some expectations unfulfilled, some questions still unresolved. But even so, we learned a lot about the process, while enjoying one unqualified success.
If research libraries are square pegs, YouTube is the round hole. Librarians and archivists love metadata, YouTube loves “views.” Researchers and users love a good search tool, YouTube loves to put your eyes on ads. The differences between the missions of an ad-supported social media platform and a dot-EDU library have the potential to obscure the common goal of content delivery. We knew using YouTube, if not exactly a deal with a devil, demanded compromise and creative thinking. The first challenge was finding workflows that we could apply to the entire archive, including batch conversion of audio to video and bulk uploading of content and metadata. It was with the metadata where we started running into trouble. With paltry character limits on titles, descriptions, and keywords, YouTube left us scratching our head (when video is clearly the data hog, how does text get such short shrift?) and scrambling for a solution to provide adequate description for the recordings. The situation seemed especially acute because our Radio Haiti metadata is trilingual (English, Haitian Creole, French), and takes a lot of text space to accommodate our anticipated user populations. Ultimately we built in a default: every description that exceeded the 5000-character limit had an ellipsis added to the end along with a link to the Duke Digital Repository (DDR) page for that recording, so that, on YouTube, we still depended on the Library resource for full description.
View the YouTube pilot here: https://www.youtube.com/channel/UCLUqSmRQNALyrAMYxV44JOQ/videos
The Internet Archive, as its name might suggest, was far more accommodating, offering robust metadata fields without the ads or YouTube’s relentless “Up Next” pushiness. It has the spirit and ethic of our great public libraries, with a dedication to the public weal. Radio Haiti would be far from its first radio archive, and its mission, like any real archive’s, is long-term preservation. There were only two downsides to the Internet Archive platform, and the first one it shared with YouTube: There was no way to group related recordings (for example, multipart programs) via a relator metadata field in the upload spreadsheet. That work would have to be done “manually,” in the description field, which might not be a big deal if there were 100 or so recordings, but the Radio Haiti Archive has 5,308 audio files. Needless to say, the relationships between files that our DDR could make would not be replicated on these platforms. The second, more obvious downside, is that for all its virtues the Internet Archive just doesn’t have the audiences that YouTube, media titan, boasts.
View the Internet Archive Pilot here: https://archive.org/details/radiohaiti
And that one unqualified, and unexpected, success? Our team of developers, driven by this pilot project to compress the digital footprint of Duke Digital Repository pages, thus decreasing load times in areas with limited digital infrastructure, made successful modifications repository-wide to the DDR. Data transfer required for a first-time visit was cut to as much as one sixth of the original size, meaning users’ browsers could render the site much faster and, in Haiti, where mobile data transfer is limited by plans that are typically purchased daily, more cheaply. So, while allowing faster load times in Haiti for our re-broadcasting of the Radio Haiti Archive, they also made the DDR as a whole more efficient. For me, this is a great example of a specific need driving innovation. The Radio Haiti project improved the delivery of Duke University Libraries’ digital resources while also providing the opportunity for our team to see both the trees and the forest in our work.
The processing of the Radio Haiti Archive and the Radio Haiti Archive digital collection were made possible through grants from the National Endowment for the Humanities.
Post contributed by Steph Crowell, Trent History of Medicine Intern.
In 2019, it can be difficult to imagine living in a world where people were allowed to smoke on airplanes, in restaurants, or even in hospitals. Duke itself is doing its part to participate in the history of tobacco regulation these days, declaring that on July 1, 2020, Duke will be one among many universities to finally be a smoke-free campus. If this is news to you, I’m happy to say that the folks at Duke Health have put together an FAQ (and a countdown to July 1).
Because this is such a significant event in Duke’s own history of medicine, we decided to take a look in the Rubenstein’s stacks to see exactly what we had on the subject of tobacco. Below is one of our findings: trading cards.
Yes, trading cards. This set of champion dog trading cards from Ardath Tobacco Company in Great Britain dates back to 1934 and contains twenty-five unique, award-winning dogs. Each card has a colored picture of the featured dog on the front, as well as text telling the avid collector the name of the dog, the breed, and the owners.Champion Dogs, 1934, 1-5 (front), Terence Mitchell Collection of Tobacco-Related Ephemera, David M. Rubenstein Rare Book & Manuscript Library, Duke University.
On the back are more detailed, informal anatomical diagrams of the dogs pointing out their trademark features. A favorite is No. 3, the cocker spaniel, whose eyes are described as “full, not prominent, bright and merry” (pictured below). Also included on the back are the card numbers and branding.Champion Dogs, 1934, 1-5 (back), Terence Mitchell Collection of Tobacco-Related Ephemera, David M. Rubenstein Rare Book & Manuscript Library, Duke University.
Champion Dogs, 1934, 1-5 (back), Terence Mitchell Collection of Tobacco-Related Ephemera, David M. Rubenstein Rare Book & Manuscript Library, Duke University.
The collection that houses these cards is massive- it contains multiple sets of trading cards, collectible fabrics, pins, cartons and packs of cigarettes. If you’re curious about the specifics, check out the collection guide. It can be intimidating to look at given the volume of items listed, but Terence Mitchell, the collector, was conscious of this and organized everything by type and topic. As far as trading cards go, there are assorted animals, famous people, famous art pieces, pirates, pieces of architecture, and much more all from a variety of companies in the United States and Great Britain.
The cards served a functional purpose in both the packaging of cigarettes and their marketing. According to the Museum of Obsolete Media, packaging for cigarettes was a bit flimsy from the 19th to early 20th century so these cards were inserted to help it keep its shape. As time went on, however, and the cards began to diversify, people began to be drawn to them because they provided a unique way to see images from around the world that would have been impossible for the average person to afford to go see. It was exciting, enticing, and, most of all, cheap.
These days, because of regulations and public awareness of the negative health impact that tobacco products have on the human body, the age of tobacco trading cards has passed. Companies are forced to be clear about these dangers in their ads, on their packaging, anywhere they might be engaging the public. In a relatively short period of time, this has profoundly affected the way we view tobacco and evaluate the extent to which we will tolerate it in public spaces.
Less than a hundred years after these trading cards were printed, the FDA is still finding its legs in legislating what kinds of warnings should be included on tobacco products. Warnings have been mandatory for only a few years now (to check out all of the FDA’s requirements, check here) and are still in flux.
As these things continue to happen, it can be a comfort to be able to see for oneself exactly why these regulations and initiatives have to be put in place to begin with. This collection of ephemera is available for Researchers to view in the Rubenstein’s reading room. If you’re interested but not sure how that process works, here’s a link to our FAQ, or feel free to contact us to ask any questions you may have!
The post Tobacco Ephemera: The Effects of Public Health Education on Tobacco Advertising appeared first on The Devil's Tale.
Post contributed by Kasia Stempniak, John W. Hartman Center intern for 2018-2019 and Ph.D. student in Duke’s Romance Studies department.
The Hartman Center’s new exhibit, “No One Can Suppress Archie Boston,” on display through October in the Stone Family Gallery, focuses on Archie Boston, a graphic designer whose innovative and socially-conscious designs shed valuable insight into the intersections of race and identity in the advertising world.
Raised in segregated St. Petersburg, Florida in the 1940s, Archie Boston moved to Los Angeles in the 1960s to pursue a career in graphic design. In 1963, Boston and his brother Brad started their own advertising agency, Boston & Boston. As one of the first African-American owned advertising agencies, Boston & Boston faced difficulties securing clients in an almost exclusively white industry. Rather than hide their identity, Boston and his brother confronted the industry with provocative self-promotional ads that made explicit references to slavery and racism. “We wanted our potential clients,” Boston remarked in an interview, “to know that we were a black firm.”
Boston later worked at the ad agency Botsford & Ketchum where he developed one of his most famous ads for Pentel that boasted the caption, “I told Pentel what to do with their pens.” By placing himself at the center of the ad, Boston subverted the usually invisible presence of the advertising executive. At a time when very few African-Americans worked in advertising, the ad also announced a subtle shift in the demographics of the industry.
In the late 1970s, Boston left the agency to pursue a career as a professor at California State University-Long Beach (CSULB) where he developed the design program for the next thirty years all while still operating his own graphic design firm, Archie Boston Graphic Design.
The first African-American recipient of the American Institute of Graphic Arts (AIGA) Fellow Award, Boston served multiple terms as president of the Art Directors Club of Los Angeles where he was the first African-American elected to this position. In his final lecture at CSULB, Boston articulated how design, teaching, and social activism shaped his career: “I want to be remembered as a professor who cared about his students and did what he thought was best for them. I want to be remembered as someone who stood up against criticism and spoke out on controversial issues. And finally I want to be remembered as a designer and educator, someone who documented my experience as an African American.”Book jacket image for Fly in the Buttermilk
The Archie Boston Papers offer a comprehensive view of Boston’s wide-ranging career including early student sketches, self-promotional ads for Boston & Boston, corporate ads for Lloyd Bank, Pentel, and Yamaha, awards and university materials related to Boston’s tenure at CSULB as well as Boston’s two published texts, his memoir Fly in the Buttermilk: Memoirs of an African American in Advertising, Design & Design Education (2001) and Lil’ Colored Rascals in the Sunshine City (2009).
Some of Boston’s most important designs, including Boston’s famous Pentel ad, are on display in the exhibit. Other highlights of the exhibit include Boston’s most recent work that engages directly with race and identity, including poetry and designs that Boston created after being inspired by Black Lives Matter, the 2014 events in Ferguson, Missouri, and the 2017 event in Charlottesville, Virginia. These recent works convey a growing sense of urgency and frustration with the treatment of African-American communities in the United States.
The Archie Boston Papers are available for the public research at the Rubenstein Library.
Post contributed by Amy McDonald, Assistant University Archivist for the Duke University Archives.
Hello new friends who are arriving on campus this week! Duke is big and busy and multi-faceted and, well, sometimes you need a guidebook. (And there’s no shame in that; I’ve been here for 14 years and I sometimes still need a guidebook.)
First things first, it’s Orientation Week, so of course you need a guidebook to orientation week activities (for you and your parents), just like these 1971 orientation schedules for the Woman’s College and Trinity College/the School of Engineering (coincidentally, this would be the last year of the Woman’s College, which merged with Trinity College in 1972). That year, your orientation activities would have included a Union “Happening,” whatever that might have been, and a discussion of The Lord of the Flies.
If those events were signs of their times, then so too was the “Welcome to Personal Computing at Duke” session you would have taken as part of the 1989 Orientation Week. You’d also have taken part in the inaugural annual address to the first-year class by poet, author, Wake Forest University professor, activist, and legend Maya Angelou, which is pretty enviable in my opinion.
Starting with the class of 1970, you’d also receive a class directory (sometimes referred to as a “pic book,” since its main feature was photographs of your new classmates). Initially published by the Associated Students of Duke University (Duke’s student government until 1993, also known as ASDU), they’ve more recently been a gift from the Duke Alumni Association. This page from the Class of 1992’s directory includes a now-famous alum. Let us know if you spot her!
We’ve digitized these, if you’d like to browse through a few decades of hairstyle trends.
As with any community, there are policies and rules meant to ensure that everyone has a safe and positive experience. These were outlined in The Duke Handbook (admonishingly titled The Duke Gentleman from 1965-1968) and the Woman’s College Handbook.
Woman’s College students took a two and a half page “exam” about the regulations outlined in their handbook as part of their Orientation Week activities. A question from the 1964 exam reads: “What procedure would a student [follow] if she wishes her brother to carry her record player to her room?” and yes, I’ve asked most of my colleagues this question this past week. I don’t actually know the correct answer—any alums reading this who can help us out in the comments?
But wait! If you were a student at the Woman’s College, one handbook wasn’t enough. The Social Standards Committee of your Woman’s Student Government Association provided you with a guide to proper campus etiquette called “It’s Not in the Handbook” (late 1940s-mid-1950s) or “Design for a Duchess” (mid-1950s-early 1960s).
This 1954 edition promises “frowns unlimited” to students who “wear socks to the Union for Sunday dinner” or “use the phone as if it were a personal possession.” (You were to wear hose to Sunday dinner and yeah, there was one phone for your entire dorm.) Design for a Duchess did also advise you to keep up with studying so you don’t have to cram, get plenty of sleep, and eat breakfast, which is still pretty sound advice.
In the late 1960s-1970s, progressive students appropriated the handbook concept to create an “unofficial” guide to Duke called The University Experience. In addition to some fantastically psychedelic covers, the table of contents from the 1974-1975 edition below shows some of the voices that were beginning to speak out and claim space on campus, with articles titled “Duke’s History of Feminism,” “Being Black and This Being Duke,” and “Being Gay and Proud.” (There’s also an article titled “Journey through the Archives,” which I’m fond of.) You can browse through digitized copies of all of the issues here.
(And this type of handbook is alive and well in the recent Duke Disorientation Guides; here’s the 2018 issue!)
There are stacks of guides to student organizations, including guides to Religious Life groups on campus and to club sports and recreational activities, but let’s just focus on one of my favorites: this 1930s handbook from Duke’s Young Women’s Christian Association. Yes! The spinner on the cover really spins!
Of course there’s a guide to the Libraries.
And a 1982 guide from ASDU—titled Bull on Bull: Duke’s Guide to Durham—reminding first-year students that they should get off campus and explore Durham! It’s also digitized, if you’d like to see where Duke students hung out in 1982.
Hmmmmm. Do I love these handbooks so much that I found it difficult to choose which ones to share and just . . . included way too many here? Yes, and I apologize. Please don’t feel overwhelmed, new friends. You’ll figure all of this out more quickly than you think you will—and until then? Just ask anyone on campus! We’re the best guides around! Good luck this year and come visit us at the Duke University Archives!
Post contributed by Stephanie Fell, Rare Materials Project Cataloger
When the Lisa Unger Baskin Collection was packed and shipped to Duke in early 2015, many of the materials were boxed thematically. Therefore, as we have been cataloging the collection, the materials tend to come in waves of various themes and subject matter. Lately a number of cookbooks and monographs relating to domestic arts have been coming across my desk. Some have been traditional cookbooks and domestic arts manuals, offering recipes, menus, and nutrition information, as well as advice to the home maker, from cooking, cleaning, and child care tips to household budgeting and how to decorate the home. I wanted to point out a couple of items in particular that caught my attention.An example of the typical publisher’s binding cookbook from the Lisa Unger Baskin Collection
These particular books, at first glance, are traditional cookbooks or domestic arts manuals for women to help them maintain a healthy and happy home through cooking and good housekeeping. Looking more closely, however, they contain a subversive message that rejects traditional gender roles and encourages the reader to emancipate herself from the kitchen.Foods and home making by Carlotta C. Greer
Foods and Home Making by Carlotta C. Greer, published in 1938, was intended to be used by teachers to train boys and girls to do household tasks better. This text looks typical of the genre and time period; it includes “many suggestions and devices to stimulate pupils to participate in home activities and to do their share in making their homes attractive and happy” (page iii-iv). Upon closer examination, the “To the teacher” note includes the following advice: “Much of the material of Foods and Home Making is suitable for boys as well as girls. Knowledge of food selection is necessary for boys. Stimulation of boys’ interest in home making contributes to their appreciation of home life” (page v). The author encourages the reader to get her sons involved (and appreciate!) the work involved with sustaining and maintaining a household.
Another noteworthy feature of the Rubenstein Library’s copy is that it contains manuscript annotations indicating the owner was using the volume to prepare for an exam. Part of my work as a rare materials cataloger is to include provenance-related information such as this in the library’s catalog record in copy-specific notes. This kind of information about the book is important to include in the bibliographic record, because it shows not only how a former owner used the item, but also helps to differentiate this copy from copies at other institutions.Manuscript annotations show a former owner’s use of the item.
Another volume I cataloged recently is Uncooked Foods & How to Use Them by Mrs. & Mrs. Eugene Christian. Published in 1904, it is dedicated to “the women of America on whom depend the future greatness of our glorious country”. This unassuming volume includes more than just recipes and housekeeping advice. Scrolling through the table of contents, the reader will find that chapter 8 is entitled “Emancipation of Woman”. The authors advocate a raw food diet — one reason for this being simplicity: “There is nothing more complicated–more laborious and more nerve-destroying, than the preparation of the alleged good dinner. There is nothing simpler, easier and more entertaining than the preparation of an uncooked dinner” (page ). The authors argue that eating raw foods is healthier and will “emancipate [the reader] from the slavery of the kitchen and the cook stove” (page ). They continue, “… the use of uncooked or natural foods will surely bring relief and freedom” (page 52). Mr. and Mrs. Christian were admittedly ahead of their time in more than one regard.Uncooked Foods & How to Use Them by Mr. & Mrs. Eugene Christian
As I’m cataloging the Lisa Unger Baskin Collection, which documents the work of women over the last 500 years, I’m not just describing the materials bibliographically, but I’m also trying to provide relevant access points and descriptive information for researchers. In addition to these items, the Rubenstein Library holds many other volumes related to cooking and domestic life. One can find other examples of domestic arts advice for women both inside and outside of this collection through Duke University Library’s online catalog. A genre term search for “Cookbooks” will return many items in that category and a keyword search for “prescriptive literature” may yield broader results.
The post Emancipation from the Cook Stove and Getting Boys into the Kitchen: Early 20th Century Cookbooks appeared first on The Devil's Tale.
Post contributed by Ayanna Legros Doctoral Student in the History Department at Duke
In New York City, Radio Haïti-Inter staff joined musicians, writers, professionals, and other Haitian exiles who had fled the Duvalier regime about two decades earlier. Barbershops, cafés, bookstores, churches and street corners became stages for Haitians to passionately debate politics and the future of the nation. While newspapers such as Haïti Observateur circulated around the Upper West Side of Manhattan, offering exiles space to present opinions, radio provided members of the Haitian community a sonic space to grapple with the realities of their homeland while also discussing strategies for combatting racism, xenophobia, sexism, classism, and the linguistic privileging of the French language over Kreyòl. Some radio programs operated with proper licensing, while others bypassed institutional confines, using creative strategies to avoid surveillance and regulation.
One radio station that rose to prominence was L’Heure Haïtienne (also known as L’Ayisyen and Lè Ayisyen), a Haitian Creole radio show run out of Columbia University between 1969 – 2002. Like Radio Haïti Inter, L’Heure Haïtienne staffers and volunteers understood that Haiti’s issues had to be interconnected with the democratic struggles of Caribbean, Latin American, and African nations. Conflict in nations ranging from Nicaragua to Eritrea were documented and shared with the community. The founder of the program, my father Lionel Legros, explained to me in an oral history interview that he wanted listeners to understand “The United States was not going to save Haiti.”
In November 1981, one year after living in New York in exile, Jean Dominique participated in an interview with Daniel Huttinot on Lè Ayisyen. Huttinot asked Dominique about his silence, the state of Haiti, and his perception of democratic movements. Dominique replied with messages of hope in the diaspora while also expressing frustration in lacking his own station. After two years, Jean Dominique came back on the air, on a program called Radio Haiti in New York (Radyo Ayiti nan Nouyòk) on WNYE 91.5FM. a non-commercial independent radio station licensed through City University of New York (CUNY). Co-hosted by Jean Dominique and Konpè Filo, the program surveyed issues impacting the everyday lives of Haitians in the early 1980s such as immigration, HIV/AIDS stigma, and the murder of Firmin Joseph, founder of the weekly newspaper Tribune d’Haïti.Photograph of Jean Dominique and Konpè Filo from the Radio Haiti Archives
Daniel Huttinot many years later recalls the impact of L’Heure Haïtienne on the Haitian community in New York stating that they had “loyal listeners” for years and would regularly host Haitian exiles on their program seeking to share about their experiences back home. Further discussion about the collection with researcher Jennifer Garcon, PhD, as well as Radio Haïti-Inter archivist, Laura Wagner, PhD, demonstrate the force of radio within the Caribbean and the diaspora. Laura and I for several Saturdays went through the L’Heure Haïtienne collection and unbeknowest to us discovered many Radio Haïti in New York cassettes, adding to the robust collection already housed at Duke. These cassettes offer valuable information about the painfully repressive Reagan years and the enormous contributions of exile voices to the ousting of Jean-Claude Duvalier 7 February 1986.Some recovered Radio Haïti New York tapes found in L’Heure Haïtienne’s Collection
Labeled: Jan ak Filo (Jean and Filo) or Radio Haïti Nan Nouyòk (Radio Haïti in New York)
Radio Haiti in New York tapes will soon be digitized and made available. The vast majority of L’Heure Haïtienne’s collection remains independent and unprocessed. Both collections will offer researchers access to an important chapter in New York City Haitian migration history. Bridging the L’Heure Haïtienne archive with Radio Haïti Inter’s fills an important gap in the Radio Haiti Archive. Values such as tèt ansanm (literally putting your heads together) and collaborative working practices in archival preservation and academic work are continued necessities particularly in the rapidly paced digital age in which data collection and digitization present libraries and researchers a new set of challenges. The practice of tèt ansanm by historians, archivists, and data collectors will continue to be necessary in order to create solutions for the impending challenges of the digital age.Patrick Elie, Lionel Legros, Jean Dominique
New York City Early 1980s
 Demme, Jonathan, director. The Agronomist. 2003.
 Legros, Lionel, phone interview, April 20, 2019
 Huttinot, Daniel, interview, August 2, 2017
 Lara Putnam, The Transnational and the Text-Searchable: Digitized Sources and the Shadows They Cast, The American Historical Review, Volume 121, Issue 2, April 2016, Pages 377–402, https://doi-org.proxy.lib.duke.edu/10.1093/ahr/121.2.377
The post Documenting Radio Haïti Inter’s Time in Exile (1981-1986) Using L’Heure Haïtienne’s Archive appeared first on The Devil's Tale.
Post contributed by Val Gillispie, University Archivist.
With the 50th anniversary of the moon landing right around the corner, I’ve been researching Duke’s history with NASA, the National Aeronautics and Space Administration. I’ve found a number of interesting stories, but I’ve been struck by the work of one Duke alumna whom I had not known about previously—and she’s a woman who deserves our recognition and thanks.
Eleanor C. Pressly, originally from the Charlotte area, received a master’s degree in mathematics at Duke in 1944. After working at Harvard, she served as an aeronautical research engineer at the United States Naval Research Library. She quickly became a specialist in rockets, particularly sounding rockets, which are unpiloted rockets that collect atmospheric data. Responsible for more than two dozen launches at the White Sands Proving Grounds in New Mexico, she was thought to have been the first woman to fire a rocket.
Her work was highly technical and time-sensitive. A 1956 article syndicated by the Newspaper Enterprise Association described her at White Sands: “With one eye on an anemometer, the other on wind reports coming in from balloons and on a crew of computers, she keeps a constant watch six hours previous to firing.” She was responsible for ensuring that the angle of the launch was appropriately calibrated to the weather, and if anything were to go wrong when it was in the air, she would pull the switch that would cause the rocket to self-destruct. Despite her serious scientific bona fides, the reporter could not resist describing her appearance in the article, too, referring to “… this youthful looking woman who gives the appearance of a happy housewife set for a round of afternoon bridge. She has bright blue eyes, blonde hair, and an infectious laugh.”
A 1957 article in the Washington Post and Times Herald claimed she was called “Uncle Sam’s Blonde Rocketeer.” It also connected Pressly to future developments in the space program: “Later this year, if the earth satellite is launched as planned and the world applauds the first ‘man-made’ moon, remember that a woman had a finger in it too. Eleanor helped on the original research to determine how long the satellite could be expected to remain aloft.”
When the Goddard Space Flight Center opened in 1958, Pressley became the head of the Vehicles Section of the Spacecraft Integration and Sounding Rocket Division. She continued to make improvements to the sounding rockets, developing several models of Aerobee rockets, and collecting atmospheric data.The recipients of the 1963 Federal Woman’s Award for outstanding contributions to government with President John F. Kennedy. Eleanor Pressly is second from the right. Photo from the John F. Kennedy Presidential Library and Museum.
In 1963, Pressly was one of six women, selected from nearly 600,000 female federal workers, whose “high achievement, outstanding contributions, and influence on major programs” deserved special recognition. The award was presented by President John F. Kennedy at the White House. Duke President Daryl Hart sent a letter of congratulations, to which Pressly sent a handwritten note. “Of course it was exciting, personally, to win such an award. But my big hope is that more girls in schools such as Duke can be made aware of the tremendous opportunities open to them. We need them.”Letter from Duke President J. Deryl Hart to Eleanor Pressly, April 22, 1963. From the J. Deryl Hart records. The text of this letter is readable in the image’s alt text. Letter from Eleanor Pressly to Duke President J. Deryl Hart, May 12, 1963. From the J. Deryl Hart records. The text of this letter is readable in the image’s alt text.
Pressly remained connected to Duke through giving, and even served as a class agent for the 1971-1972 Loyalty Fund. Pressly continued her work at Goddard, eventually retired from NASA, and she passed away in 2003. As we reflect on the fifty years since the moon landing, it is humbling to think about the massive amounts of research and testing that led to the fateful moonwalk—and the work that a woman educated at Duke contributed to that effort.