Devil's Tale Posts
Post contributed by Emma Evans, Marshall T. Meyer Intern at the Human Rights ArchiveShestack was a member of the Lawyers’ Committee for Civil Rights Under Law, a civil rights organization founded at the request of President John F. Kennedy.
Hello! My name is Emma Evans, and I am a first-year Masters of Library Science student at UNC Chapel Hill. This year I have had the privilege to serve as the 2017-2018 Marshall T. Meyer Intern in the Human Rights Archive at the Rubenstein Rare Book and Manuscript Library. As an intern, I have had the opportunity to experience many aspects of archival work, including the arrangement and description of collections, collectively known as archival processing. Processing a collection is like putting together a puzzle — it can be a complex, interesting, and occasionally daunting task. When all the pieces are put into place, however, the process is ultimately very rewarding. This was my experience as I processed the Jerome J. Shestack papers. The numerous hours that I spent with his files rewarded me not only with archival processing experience, but with a newfound understanding of the need to preserve and convey human rights narratives through the archive.
Jerome J. Shestack was a prominent Philadelphia-based lawyer known for his extensive work and leadership as a human rights advocate. His work aimed to bring justice and equality to marginalized groups both in the US and around the world. He is perhaps most well-known for his position on the 1987 judicial committee that voted against US Supreme Court nominee Robert Bork, his fight against the mistreatment of political dissidents like Andrei Sakharov, and his leadership as 1997-1998 President of the American Bar Association. These significant moments in his career are well-documented throughout his papers in the form of correspondence, reports, and subject files, and other documents. However, Shestack’s work in law and human rights did not begin and end with these events. His papers also document his lifelong dedication to these efforts as a leading member in 13+ law and human rights advocacy organizations, a leading member of numerous professional committees, a frequent author and speaker, and a well-respected colleague. As Shestack spent the majority of his life working towards justice and equality for all people, the papers span over 60 years (1944-2011, bulk 1965-2000), and are now housed across 85 archival boxes. The collection is divided into six series: American Bar Association, Organizations, Correspondence, Subject Files, Writings and Speeches, and Print Materials, with the majority of files pertaining to Shestack’s professional life.
While arranging and describing the collection, I was constantly in awe of Shestack’s commitment to “taking action” for the cause. His papers make it evident that he never stopped working for the things he believed in. He was constantly speaking at law and advocacy events, attending conferences, writing reports, and providing commentary on public policy. He often held leadership roles in multiple organizations at once, namely the American Bar Association, the International League for Human Rights, and the Lawyers’ Committee for Human Rights. These simultaneous appointments made it easy for him to combine his passions of law and human rights to form organizational alliances and work toward common goals. On the other hand, these simultaneous appointments could make archival arrangement challenging, as a document would often describe the work of multiple organizations, making it unclear where it would best fit in the collection. Even so, this challenge further demonstrates Shestack’s steadfast dedication to doing whatever he could to advance universal human rights.
This dedication did not go unnoticed. Shestack was frequently praised for his actions by lawyers, human rights advocates, and politicians alike. His widespread recognition in his professional life gave him the platform to correspond and interact with many influential leaders, including but not limited to George Bush, René Cassin, and Martin Luther King, Jr. Correspondence between Shestack and these leaders are included in the collection, and these documents effectively demonstrate Shestack’s work and recognition in action. Furthermore, in some cases, this recognition would lead to further opportunities for leadership. In 1963, he became a member of the first Board of Trustees of the Lawyers’ Committee for Civil Rights Under Law, an organization formed at the request of President Kennedy. In 1979, President Jimmy Carter appointed Shestack as the US Ambassador to the UN Commission on Human Rights. His work in both of these appointments is represented within the collection through reports, correspondence, and certificates.
Overall, my experience processing this collection was both challenging and fulfilling. The significance of Shestack’s work in law and human rights advocacy revealed itself throughout the course of the project, and I enjoyed discovering his narrative, an important addition to the Human Rights Archive.
Take a look at the new collection guide for the Jerome Shestack papers online, or visit the Rubenstein Library’s reading room (open to the public) to view the materials.
The post Newly Available: the Papers of Human Rights Advocate Jerome Shestack appeared first on The Devil's Tale.
Post contributed by Mandy Cooper, Research Services Graduate Intern, and Ph.D. candidate, Duke University Department of History.
When I started as the Research Services intern, I knew that I wanted to do a blogpost for the Rubenstein Test Kitchen. But, where to begin? I spent some time exploring our collections and reading over the previous Test Kitchen blog posts as I thought about what I should make. Finally, I decided that since I’m a nineteenth-century historian, I would make a dish from that era, with a drink to go along with it.
After some initial exploration (relying on Ashley Young’s Guide to Food History at the Rubenstein), I settled on using Lydia Maria Child’s 1836 The American Frugal Housewife. The book was part of a genre of prescriptive literature that gave women advice for fulfilling their domestic duties. Child emphasized how to be a good wife, mother, and hostess while maintaining a frugal lifestyle. Many of the tips and recipes included a reference to it being “good economy” to use specific ingredients over others or to use substitutes for things like coffee. (Though, Child pointed out that in the case of coffee, “the best economy is to go without” which is definitely not an option for this graduate student!)
After looking through the recipes, I decided to make a dessert that I could share with my coworkers at the Rubenstein. I found some mouth-watering options, including an apple pie that sounded delightful. Like most recipes from the nineteenth-century, this one was a bit short on details, both for the filling and the pie crust, but the ingredients were simple.
First, I made the filling, which could be easily set aside while I made the pie crust. But, Child didn’t specify how many apples, so I looked at a few other apple pie recipes before deciding to use five apples. I first peeled and sliced all of the apples before putting them all in a pan with about a tablespoon of water. The recipe calls for sugar to taste and says that cloves and cinnamon are good spices for the filling. Since I love cinnamon apples—and already had cinnamon at home—I decided to use cinnamon instead of cloves. I stewed the apples to get them tender, being sure to follow Child’s instructions to stew them “very little indeed,” tasting and adding more sugar and cinnamon as I went to get the flavor right. Child also said “If your apples lack spirit, grate in a whole lemon.” I thought the apples were a bit sweet, so I grated in a bit of lemon zest (thought not a whole lemon!).
The Pie Crust
The recipe for pie crust was also short on specifics, so I looked up other recipes to determine how much flour I should use. I used 2 cups of flour and about 1.5 sticks of butter for the bottom crust and the same for the top. I set aside a half cup of flour and about ¼ stick of butter to use for rolling out the crust like Child instructed. Since I was (attempting) to stay true to the 19th century recipe, I rubbed the rest of the butter into the flour with my hands, until “a handful of it, clasped tight […] remain[ed] in a ball, without any tendency to fall in pieces.” This was harder than I expected and took more time than I had planned. Once the dough stayed clasped in a ball, I wet it with cold water, rolled it out on a floured surface, put small pieces of butter all over it, floured it, rolled it back up, and repeated this process three times. I did the same thing for the top crust, which was a bit easier. After putting the crust in the pie pan, I poured in the apple filling. I then cut strips of the crust to lay over the top of the pie.
I put the pie in the oven for 40 minutes, checked it, and then put it back in for another 10 minutes until the crust turned golden.
Though according to Child “Beer is a good family drink,” I decided to go with a non-alcoholic drink option and try a raspberry shrub to go with my apple pie.
Child promised that raspberry shrub is “a pure, delicious drink for summer,” and since it looks like summer has officially arrived here in Durham, I thought it would be the perfect addition to my historical recipe experiment.
I used 12 ounces of fresh raspberries and white wine vinegar. After washing the raspberries, I put them in a pot, covered them with vinegar, and brought them to a boil before letting them simmer over medium-high heat until the berries were soft—a bit less than 10 minutes. I then strained the mixture into a glass measuring cup to get out the seeds and pulp of the berries and make measuring easier.
After straining the mixture, I ended up with a little over 1.25 cups of juice, which I poured back into the pot. The recipe called for equal amounts of sugar and juice, so I also added 1.25 cups of sugar. I brought the mixture barely to a boil before taking it off the eye, skimming the foam off the top, and letting it cool. Once it cooled, I poured the juice into a mason jar to store it.
Child said to mix raspberry shrub with water for a “pure, delicious drink,” so I added 4 tablespoons of the juice to a glass of water. Then, since I love mint with raspberry, I added a sprig of fresh mint as a garnish.
The apple pie filling was absolutely delicious. The pie crust, though, didn’t turn out very well, even though it looked beautiful. Despite all of the butter, it was dry and tasted like chalky flour with butter, and it was a bit too thick. I might try an apple pie again, but I would definitely find a different recipe for the crust. (I was nice and didn’t inflict this crust on my co-workers here at the Rubenstein!)
The raspberry shrub was a success! Light, refreshing, and sweet—perfect for summer, just like Child said. I’ll definitely be making it again, though I’ll likely let the juice and sugar mixture simmer for a little longer next time, since there was a very slight taste of vinegar to it still.
The post Apple Pie and Raspberry Shrub (1836) — Rubenstein Library Test Kitchen appeared first on The Devil's Tale.
Post contributed by Rachel Ingold, Curator of the History of Medicine CollectionsIvory maniken in the History of Medicine Collection.
An engineer, conservator, and curator walk into a small space; a small space with a micro CT chamber surrounded by rooms that glow red with biohazards signs. What are they doing? Where could they be?
First a bit of background. The History of Medicine Collections here in the Rubenstein Library has a large collection of ivory anatomical manikins. In total, we have 22 ivory manikins, part of the Josiah Charles Trent Collection that was gifted to the University in 1956.Scan of ivory maniken produced by Duke’s Micro CT scanner.
To say these ivory anatomical manikins are cool is an understatement. They are truly fascinating and beautiful. And a bit mysterious. Scholars are not entirely clear on why they were created or their intent, which likely evolved over time. The delicate figures in our holdings average about eight inches in length and were probably initially used for instructional purposes, to help medical students learn human anatomy. But how easy were they to use? Did the didactic intent fall by the wayside as these turned into collectibles? We speculate these were carved in the seventeenth or eighteenth centuries, but we’re not entirely sure.
With so much interest in the ivory anatomical manikins and so much to learn, we considered what it would take to digitize these to share with a wider audience. Last April, we began to scan these items using Micro CT scanning in Duke’s Shared Materials Imaging Facility (SMiF) – a magical space with lots of heavy equipment (and some rooms that glow red – although not the room where these are scanned).
Scanning the ivory manikins has been a true team effort with much assistance from our friends in Conservation and Justin Gladman, an engineer working in SMiF. We hope to complete scanning by the summer and turn to focusing on processing and uploading files to a site for the world to see. And yes, once this is done, they can be 3D printed. !!!! Stay tuned as we continue to move forward with our project. You can read more on Duke Today and the Preservation Underground Blog.Scan of ivory maniken.
Post contributed by Josh Larkin Rowley, Reference Archivist for the John W. Hartman Center for Sales, Advertising & Marketing History.
In 2016, a small group of researchers and project managers descended upon the Rubenstein Library reading room. They were from the company Adam Matthew Digital, a U.K.-based builder of primary source digital databases for use in teaching and research. Over six weeks and three trips, they were firmly ensconced in research in our reading room from when we opened at 9AM—pausing only for meals—until we closed.
They perused hundreds of boxes from the Hartman Center for Sales, Advertising & Marketing History’s archives of the J. Walter Thompson Co., an advertising agency founded in New York City in 1864. Considered the most complete record of any existing advertising agency, the archives documents 150 years of the agency’s work with hundreds of business clients, corporate culture, personnel, marketing research, and contributions to the advertising industry. The goal of Adam Matthew’s research was to build a digital database that captured the essence of the agency and its contributions to American consumer culture.Homepage for J. Walter Thompson: Advertising America research database featuring 1972 Kodak ad from the JWT Advertisements Collection.
Thanks to the work of Adam Matthew Digital, Backstage Library Works, our own Digital Collections & Curation Services, and several Duke student assistants, the database is now complete and available to institutions for purchase. Titled J. Walter Thompson: Advertising America, the database includes print advertisements, writings and speeches by JWT staff, company publications, account materials, company newsletters, market research and reports, meeting minutes and much, much more. Together, these materials not only document the story of one of America’s oldest and most enduring advertising agencies, but they also reveal many aspects of 20th century history. Researchers interested in facets of business, social, economic, and cultural history are sure to find the database a rich resource.“Browse by Collection” page for J. Walter Thompson: Advertising America research database.
If you are interested in purchasing the database for your own institution, inquiries can be sent to Adam Matthew Digital website here. The database is free to Duke students, faculty, and staff in the Libraries’ collection of resource databases here.
Date: Wednesday, May 23, 2018
Time: 3:00pm to 4:30pm
Location: Holsti-Anderson Family Assembly Room, Rubenstein Library 153
Contact: Rachel Ingold, email@example.com,
RSVP or share via Facebook (optional)
You are cordially invited to a dramatic reading of excerpts from pertinent texts that will bring to life the voices of women and men, past and present, whose perspectives on menopause range from “the historical to the hysterical.” In addition to the readings, individuals are also encouraged to share their own stories and experiences of “the change.”
The reading complements an exhibit, The Change of Life: Menopause and Our Changing Perspectives, on display through July 14 in the Josiah Charles Trent History of Medicine Room.
Co-sponsored by the History of Medicine Collections and the Sallie Bingham Center for Women’s History and Culture.
Post contributed by Mary Kallem, field experience student in the Bingham Center and master’s student at UNC’s School of Information and Library Science.
Few anarchists have gained as much mainstream recognition as Emma Goldman, an iconic figure in labor organizing, feminist history, and prison abolition. The Bingham Center acquired a sizable collection of Goldman’s papers as part of the larger Lisa Unger Baskin Collection, a transformative collection documenting the history of women at work.
Dating from 1909 to 1940, the Emma Goldman Papers reflect radical community labor amidst state repression, the financial instability of writers and activists, and a tumultuous political landscape. Goldman’s prescience remains apparent today.
These papers illuminate a historical understanding that reaches beyond her as an individual. In addition to providing an intimate picture of her financial, political, and social lives, this collection also reveals the relational network that constituted anarchist organizing and publishing of her time.Letter from Goldman to unnamed comrade, 1909. Click for full letter
With over 300 letters, the collection includes both the revolutionary and quotidian aspects of the relationships between Goldman and her comrades, including Alexander “Sascha” Berkman, Eugene Debs, Alexander Schapiro, and Thomas Keell. The collection also features published material, handwritten articles from Errico Malatesta and Emma Goldman, photographs, ephemera, and more.
This collection of Goldman papers has been in the hands of a private collector until recently, and it is now being opened to the public for the first time. The day-to-day correspondence may be the most striking element of the collection, given its familiar nature: whether asking to borrow money, lamenting poor book sales, or mutually gathering hope, these letters reflect struggle. For those who continue to fight for social change, there is a solidarity to be found in these shared material and emotional conditions.
The Emma Goldman Papers are available for on-site use in Rubenstein’s reading room and online within the Duke Libraries’ Digital Collections.Ticket to lecture by Goldman, 1933.
Post contributed by Claire Payton, Ph. D, Intern for John W. Hartman Center for Sales, Advertising & Marketing History
This is a watershed era for women in the military. In January 2017, women joined combat units for the first time. Another milestone was passed later that year, when a woman completed a punishing thirteen-week officer training program. Thirty-six women have attempted the course but until last September, none had succeeded. Marine Corp is recalibrating its tests of physical strength to be more equal between men and women.Recrutiment ad for the USMC, 2016
Walter Thompson (JWT) has been part of the larger conversation about gender integration of the force. The marketing firm, which has worked with the Marine Corps since 1947, took on the issue in a 2016 advertising campaign by prominently featuring images of servicewomen in action. A striking 2017 television ad, offering a sweeping depiction of the Corps’ history, included the contributions of servicewomen.
But JWT marketing materials from a few decades ago indicate how far the company—and society at large—has come with regards to gender equality in the military. In the Hartman Center’s JWT Review Board Records collection, there is a 1963 brochure inviting women to join to the USMC. Unlike the contemporaneous material targeted at men, which emphasized building physical strength and personal integrity, this brochure revolved around the outfits female marines would wear in different circumstances.
Colorful illustrations featured slender women in different settings, annotated with sartorial encouragement. “You’re never smarter than in Marine Winter ‘Greens,’” promised one passage. “This is the Marine Corps’ version of that oh-so-chic tailored look.” Another passage asked, “What could be more flattering…and, more fashionable… than pure white. The perfectly tailored Officer’s Dress Whites show the sure touch of a master designer, Mainboucher’.”1963 recruitment brochure from the JWT Review Board Records collection
Despite this limited vision of what might attract women to the Marine Corps, in the 1960s servicewomen made important strides. In 1964, there were 1,281 women in the Marine Corps, serving in diverse fields such as intelligence, operational communications, transportation, legal, avionics, aerology, and aviation operations. Regulation changes in 1965-1966 made it easier for women to stay enlisted after marriage, which lengthened women’s careers and gave more opportunities for advancement. In 1963, the first woman attended Amphibious Warfare School; in 1966 the first women arrived for active duty in Pacific overseas bases, including Vietnam.1963 recruitment brochure from the JWT Review Board Records collection
The 1963 pamphlet conveyed stereotypes of women as passive and feminine, more concerned about their appearance than their jobs. Nonetheless, the JWT marketing campaign in the 1960s contributed to growing numbers of women in the Corps, many of whom broke boundaries and redefined norms. JWT’s most recent advertisements help to normalize the image of military women active both in and out of combat. This is an important transformation, since women’s abilities and the meaning of their bodies are still highly contested.
Stremlow, Mary V., and USMCR. A History of the Women Marines, 1946-1977. History and Museums Division Headquarters, Washington DC: CreateSpace Independent Publishing Platform, 2014.
Workshop – Books as Social Networks: Documenting the Role of Individuals in the Production and Consumption of Print Culture
Date: Friday, May 11, 2018
Time: 1:00pm – 3:30pm
Location: Rubenstein Library 150
Using rare books from the Rubenstein Library, this hands-on workshop will introduce participants to the discipline of Book History and explore methodologies for studying books as artifacts. We will explore evidence of the individuals involved in the production, distribution, and consumption of books in the West, including authors, printers, illustrators, booksellers, and readers, from the 15th to the 20th century. Using this evidence, we’ll consider what the roles of these individuals and the relationships between them can tell us about print culture in their time
The workshop will include a discussion of the kinds of evidence and strategies for investigation, followed by lab session devoted to the investigation of individual artifacts in the Rubenstein collection.
Date: Monday, April 30, 2018
Time: Noon (12 p.m.)
Location: Holsti-Anderson Family Assembly Room, Room 153, Rubenstein Library
Contact: Rachel Ingold, firstname.lastname@example.org, (919)684-8549
Please join us Monday, April 30th at noon for our next Trent History of Medicine Lecture Series. Raul Necochea, Ph.D., will present Contraception Crossroads: Health Workers Encounter Family Planning in Mid-20th Century Latin America.
Between the 1930s and the 1970s, health workers of different types began to embrace, slowly and selectively, the value of smaller families for all people in the region as well as to become used to new types of contraceptive technologies. What were the circumstances under which physicians, nurses, midwives, and social workers first encountered the use of birth control in Latin America? What they did do to advance and limit the use of contraception? How did they interact with birth control users? The answers to these questions help us better understand the context and the mindsets of people on the forefront of a momentous development: the normalization of family planning in the so-called Third World.
Dr. Nechochea is Associate Professor in the Department of Social Medicine & Adjunct Associate Professor, Department of History at the University North Carolina, Chapel Hill.
All are welcome to attend. Light lunch will be served.
Sponsored by the History of Medicine Collections in the Rubenstein Rare Book & Manuscript Library.
The post April 30: Trent History of Medicine Lecture Series: Contraception Crossroads appeared first on The Devil's Tale.
This press release is in Haitian Creole as well as English. Scroll down for Haitian Creole.
FOR IMMEDIATE RELEASE: 9 April 2018
Duke University Libraries
Media Contact: Aaron Welborn, (919) 660-5816
Radio Haiti Archive receives second National Endowment for the Humanities grant
Humanities Collections and Reference Resources grant will enable continued in-depth description of the audio archive of Radio Haïti-Inter
Durham, NC: The David M. Rubenstein Rare Book & Manuscript Library is pleased to announce that the Radio Haiti Archive project has received a second grant from the NEH’s Division of Preservation and Access. While the first phase of the project, Radio Haiti, Voices of Change, focused on the physical preservation and initial description of the Radio Haiti materials, Radio Haiti, Voices of Change II: Bringing Radio Haiti Home will allow library staff to continue creating detailed trilingual description of Radio Haiti’s audio (in Haitian Creole, French, and English) and to digitally repatriate the archive to libraries, archives, cultural institutions, and community radio stations in Haiti.
For three decades, Radio Haïti-Inter was Haiti’s first and most prominent independent radio station. Under the direction of Jean Léopold Dominique and Michèle Montas, Radio Haiti was a voice of social change and democracy, speaking out against oppression and impunity while advocating for human rights and celebrating Haitian culture and heritage. On 3 April 2000, Jean Dominique was assassinated in Radio Haiti’s courtyard, and in February 2003, amid escalating threats to Radio Haiti’s journalists, the station closed for good.
Laurent Dubois, professor of history and Romance Studies and the director of Duke’s Forum for Scholars and Publics, describes Voices of Change II as a “vital project that will allow this rich archive to be made available as widely as possible, notably in Haiti itself. This is of profound importance, for having learned over the past years about the richness of the materials in the Radio Haiti collection, I consider it the most important archive on contemporary Haitian politics, history, and culture in existence.” In the words of the station’s surviving director, Michèle Montas: “It is so important that these voices, which have meant so much to so many, remain alive and vibrant in the land that created them.”
To follow the Radio Haiti project’s progress and consult the materials, see the Radio Haiti collection on Duke’s Digital Repository and the Guide to the Radio Haiti Papers.
Pwojè Achiv Radyo Ayiti jwenn yon dezyèm sibvansyon National Endowment for the Humanities
Sibvansyon Humanities Collections and Reference Resources pral pemèt nou kontinye dekri achiv odyo Radyo Ayiti-Entè yo an detay
Durham, Karolin di Nò: Se avèk anpil kè kontan David M. Rubenstein Rare Book & Manuscript Library (Bibliyotèk David M. Rubenstein pou Liv ak Maniskri ki Ra) anonse ke pwojè Achiv Radyo Ayiti a jwenn yon dezyèm sibvansyon NEH, nan kad Division of Preservation and Access (Divizyon Konsèvasyon ak Aksè). Tandiske premye etap pwojè a, Radio Haiti, Voices of Change (Radyo Ayiti: Vwa Chanjman) te konsantre sou konsèvasyon fizik ak deskripsyon preliminè achiv Radyo Ayiti yo, dezyèm etap la, ki rele Radio Haiti, Voices of Change II: Bringing Radio Haiti Home (Radyo Ayiti, Vwa Chanjman II: Mennen Radyo Ayiti Tounen Lakay Li) pral pemèt manm staf bibliyotèk la kontinye bay chak emisyon Radyo Ayiti deskripsyon detaye nan twa lang yo (kreyòl, franse, ak angle) epi repatriye achiv yo nan bibliyotèk, achiv, enstitisyon kiltirèl, ak radyo kominotè ann Ayiti.
Radyo Ayiti-Entè te premye radyo endepandan nan peyi d Ayiti, epi pandan trant ane li te pi koni pami tout radyo nan peyi a. Anba direksyon Jean Léopold Dominique ak Michèle Montas, Radyo Ayiti te reprezante yon vwa chanjman ak demokrasi, ki te konn denonse sistèm kraze zo ak enpinite, lite pou dwa moun, epi valorize kilti ak eritaj Ayiti a. Jou 3 avril 2000, yo te krabinen Jean Dominique nan lakou Radyo Ayiti a, epi nan mwa fevriye 2003, kòm rezilta yon dal menas jounalis Radyo Ayiti yo t ap sibi, radyo a fèmen nèt.
Laurent Dubois, pwofesè istwa ak etid lang latin yo epi direktè Forum for Scholars and Publics nan Inivèsite Duke, dekri pwojè Voices of Change II kòm yon “pwojè fondalnatal ki pral rann achiv rich disponib osi lwen ke posib, sitou ann Ayiti menm. M twouve sa gen anpil enpòtans. Pandan plizyè ane m ap aprann ki richès achiv Radyo Ayiti yo gen ladan yo, ki fè m konsidere l kòm achiv ki pi enpòtan sou politik, istwa, ak kilti Ayiti kontanporen ki egziste sou latè beni.” Nan pawòl Michèle Montas, antanke direktris sivivan radyo a: “Li kapital ke vwa sa yo, ki gen anpil enpòtans pou anpil moun, toujou rete vivan ak vif nan peyi ki te kreye yo.”
The post Radio Haiti Archive receives second National Endowment for the Humanities grant appeared first on The Devil's Tale.
Date: April 17, 2018
Time: 11am – 12pm
Location: Rubenstein Library 150
Need tips on getting started with archival research? Curious how archives acquire collections? Thinking about archives as a career? Or just want to know what’s up with the white gloves? Bring your questions to a panel discussion with three archivists from the Rubenstein Library.
- John Gartrell, Director of the John Hope Franklin Center for African and African American History and Culture
- Kate Collins, Research Services Librarian, Rubenstein Library
- Tracy Jackson, Head, Center Manuscript Processing, Rubenstein Library
Moderated by Mandy Cooper, PhD Candidate, Duke University Department of History and Rubenstein Library Research Services Graduate Intern
Post contributed by Laura Wagner, P.h.D., Radio Haiti Archivist
This blog post is in French and Haitian Creole as well as English. Scroll down for other languages.
Cet article de blog est écrit en français et créole haïtien en plus de l’anglais. Défilez l’écran vers le bas pour les autres langues.
Blog sa a ekri an franse ak kreyòl anplis ke angle. Desann paj la pou jwenn lòt lang yo.
Student assistants Krystelle Rocourt and Tanya Thomas with Laura Wagner.
Assistantes-étudiantes Krystelle Rocourt et Tanya Thomas avec Laura Wagner.
Asistan-etidyan Krystelle Rocourt ak Tanya Thomas ansanm avèk Laura Wagner.
The David M. Rubenstein Rare Book & Manuscript Library is thrilled to announce the successful completion of the first major stage of Radio Haiti: Voices of Change, made possible through the generous support of the National Endowment for the Humanities.
Between July 2015 and spring 2018, project archivist Laura Wagner, audiovisual archivist Craig Breaden, and a committed team of student assistants have:
- completed preliminary description of the entire Radio Haiti audio collection, including nearly 4,000 open reel and cassette audio tapes
- managed the cleaning and high-resolution digital preservation of the tapes at Cutting Corporation in Maryland, and secured a CLIR Recordings at Risk grant to digitize — at Northeast Document Conservation Center — recordings that had suffered acute deterioration
- created additional detailed, trilingual metadata (in Haitian Creole, French, and English) for more than half of the Radio Haiti audio, now available on the Duke Digital Repository
- completed description of the Radio Haiti papers, now available online
Our student assistants and volunteers, past and present, both undergraduate and graduate, have been an invaluable part of this team. They have listened to and described Radio Haiti audio; blogged about the archive; used the materials in the archive in their own research; and brought expertise, excitement, and enthusiasm to this very rewarding but intense project. Mèsi anpil to Tanya Thomas, Krystelle Rocourt, Réyina Sénatus, Catherine Farmer, Eline Roillet, Sandie Blaise, Jennifer Garçon, and Marina Magloire for everything you have done and continue to do.
In addition to our in-house work on the archive, Laura has also conducted two outreach trips to Haiti to raise awareness of the project and to distribute flash drives to cultural institutions, libraries, community radio stations, and grassroots groups.
But the project isn’t over yet! We are currently seeking additional funding to continue in-depth detailed description of the audio.
Onward!Laura showing agronomy students from the Grand’Anse department how to use the Radio Haiti archive (Cap-Rouge, June 2017).
Laura explique comment utiliser les archives de Radio Haïti à des étudiants en agronomie du département de la Grand’Anse (Cap-Rouge, juin 2017).
Laura montre kèk edityan nan agwonomi ki soti nan Grandans koman sèvi avèk achiv Radyo Ayiti yo (Kap Wouj, jen 2017).
La bibliothèque David M. Rubenstein Livres Rares & Manuscrits est fière d’annoncer le succès de la première étape du projet Radio Haiti: Voices of Change, rendu possible grâce au généreux soutien de la National Endowment for the Humanities (NEH). Entre juillet 2015 et mars 2018, Laura Wagner, chef de projet et Craig Breaden, archiviste audiovisuel, appuyés par une équipe d’étudiants passionnés, ont :
- rédigé une description préliminaire de l’intégralité des archives audio de Radio Haïti, dont près de 4000 enregistrements sur bobines et cassettes
- géré le nettoyage, la préservation et la numérisation en HD des cassettes via l’entreprise Cutting Corporation (Maryland) et digitalisé les enregistrements les plus fragiles au Northeast Document Conservation Center grâce à la bourse CLIR Recordings at Risk
- créé des métadonnées trilingues (créole haïtien, français et anglais) détaillant plus de la moitié de la collection, maintenant disponibles sur Duke Digital Repository
- classifié l’ensemble des archives papier de Radio Haïti, maintenant disponibles en ligne
Les partisans de Radio Haïti accueillent Jean Dominique et Michèle Montas à l’aéroport de Port-au-Prince lorsqu’ils sont revenus en Haïti après l’exil, mars 1986.
Fanatik Radyo Ayiti vin akeyi Jean Dominique ak Michèle Montas nan ayewopò Pòtoprens aprè yo tounen lakay yo nan mwa mas 1986.
Nos étudiants et nos volontaires, passés et présents, en licence, master et doctorat ont joué un rôle inestimable au sein de l’équipe. Ils ont écouté et décrit des centaines d’émissions de Radio Haïti, rédigé des articles de blog au sujet de la collection, utilisé les documents pour leurs propres recherches et amené leur expertise, leur enthousiasme et leur motivation à ce projet intense et très gratifiant. Mèsi anpil à Tanya Thomas, Krystelle Rocourt, Réyina Sénatus, Catherine Farmer, Eline Roillet, Sandie Blaise, Jennifer Garçon et Marina Magloire pour vos précieuses contributions.
En plus du travail en interne sur la collection, Laura s’est également rendue en Haïti par deux fois afin de promouvoir le projet et de distribuer des clefs USB contenant les archives à diverses institutions culturelles, bibliothèques, stations radio locales et associations.
Mais le projet n’est pas encore terminé! Nous sommes actuellement à la recherche de financement supplémentaire pour poursuivre la description détaillée en profondeur des documents sonores.
En avant!Craig Breaden fits the original Radio Haiti soundboard with protective padding.
Craig Breaden protège la table de mixage originale de Radio Haïti à l’aide de rembourrage.
Craig Breaden pwoteje pano miksaj orijinal Radyo Ayiti a pou l ka dòmi dous.
David M. Rubenstein Rare Book & Manuscript Library (Bibliyotèk David. M. Rubenstein pou Liv ak Maniskri ki Ra) gen anpil kè kontan anonse ke premye etap pwojè Radio Haiti: Voices of Change (Radyo Ayiti: Vwa Chanjman) a abouti. Pwojè sa a te posib gras a finansman jenere National Endowment for the Humanities (NEH) la.
Soti nan mwa jiyè 2015 rive nan prentan 2018, achivis prensipal la Laura Wagner, achivis odyovizyèl la Craig Breaden, ak yon ekip etidyan trè angaje gentan reyalize objektif swivan yo:Radio Haiti reel, before and after cleaning and preservation.
Une bande magnétique de Radio Haïti, avant et après le néttoyage et la conservation.
Bann mayetik Radyo Ayiti avan ak aprè li fin netwaye epi konsève.
- Yo fin fè yon premye deskripsyon sou tout dokiman sonò Radyo Ayiti yo, ki gen ladan yo prèske 4.000 bann mayetik ak kasèt
- Yo jere netwayaj ak konsèvasyon dijital tout tep yo, ki te fèt nan Maryland avèk konpayi Cutting Corporation, epi yo jwenn yon sibvansyon CLIR “Recordings at Risk” pou dijitalize tep ki pi frajil epi pi domaje yo nan Northeast Document Conservation Center
- Kreye deskripsyon ki pi detaye epi ki trilèng (an kreyòl, franse, ak angle) pou plis pase 50% dokiman sonò Radyo Ayiti yo, ki disponib kounye a sou Duke Digital Repository la
- Deskripsyon tout achiv papye Radyo Ayiti yo, disponib kounye a sou entènèt
Etidyan ki travay sou pwojè sila a, kit yo asistan peye kit yo benevòl, kit yo etidyan nan lisans, metriz, oswa nan doktora, bay pwojè a yon gwo kout men. Yo tande epi dekri odyo Radyo Ayiti a, ekri blog sou achiv yo, sèvi avèk materyèl yo nan pwòp rechèch pa yo, epi yo pote anpil ekspètiz, eksitans, ak antouzyas pou pwojè sa a, ki se yon pwojè ki vo lapenn men ki difisil, tou. Mèsi anpil Tanya Thomas, Krystelle Rocourt, Réyina Sénatus, Catherine Farmer, Eline Roillet, Sandie Blaise, Jennifer Garçon ak Marina Magloire pou tout sa nou fè pou sovgade eritaj Radyo Ayiti-Entè, ak tout sa n ap kontinye fè.
Anplis ke travay n ap fè lakay nou nan Karolin di Nò, Laura gentan fè de vwayaj ann Ayiti pou sansibilize moun sou pwojè a epi pou distribye djònp bay enstitisyon kiltirèl, bibliyotèk, radyo kominotè, ak òganizasyon de baz.
Men pwojè a poko fini! Aktiyèlman n ap chèche lòt finansman siplemantè pou nou ka kontinye fè deskripsyon detaye dokiman sonò yo, an pwofondè.
Ann ale!Laura with Gotson Pierre of AlterPresse, Haiti’s alternative media outlet (Port-au-Prince, February 2018).
Laura avec Gotson Pierre d’AlterPresse, média haïtien indépendant (Port-au-Prince, février 2018).
Laura avèk Gotson Pierre, responsab AlterPresse, medya endepandan ann Ayiti (Pòtoprens, fevriye 2018).
The post Viv Radyo Ayiti! Vive Radio Haïti! Radio Haiti Lives! appeared first on The Devil's Tale.
Date: May 21-25, 2018
Location: Rubenstein Library 150
Registration now open through DukeHub
The Rubenstein Library will host a Duke Summer Doctoral Academy entitled “Teaching with Archives.” The one-week, 15-hour workshop will feature faculty from the humanities and interpretative social sciences who have incorporated rare book and special collections materials into their undergraduate courses. The will share their experiences of developing assignments and in-class exercises around these unique sources.
Participating faculty include:
Edward Balleisen (History)
Clare Woods (Classical Studies)
Laura Lieber (Religion)
Trudi Abel (Rubenstein Library, Information Science & Studies)
Victoria Szabo (Art, Art History & Visual Studies, Information Science & Studies)
The workshop will meet May 21-25 from 1:30-4:30. Registration through DukeHub is now open.
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Post contributed by Claire Payton, John W. Hartman Center for Sales, Advertising & Marketing History intern and Ph.D. candidate, Duke University Department of History
At the end of World War II, the meaning of family changed in profound ways. In Europe and North America, young couples set about starting new families. Their enthusiasm for procreation generated the demographic explosion known as the “baby boom.” Those who could afford it filled their homes with refrigerators, television sets, and baby toys, midwifing another major post-war transformation: the rise of consumerism.
Riding these twin dynamics, an upstart Parisian advertising firm was able to build up a small French company into a famous international brand. Publicis was a small ad firm founded in 1926 by Marcel Blustein-Blanchet, the son of Jewish immigrants. Blustein-Blanchet managed to flee when the Nazis occupied France in 1940. Publicis was shuttered and the office and equipment were seized by the government. But when the war ended he returned and, in 1946, reopened Publicis. One of the first new clients he signed while rebuilding from scratch was a small new company that specialized in maternity clothes called Prénatal.
Founded by Jean-Maire Mazart in 1947, Prénatal seized upon the social transformations of the era. With the help of Publicis, the company targeted young pregnant women who were looking to overcome the war through the power of consumerism. Mazart’s idea, inspired by the United States, was to provide women with high-end clothes in different sizes depending on how far along they were in their pregnancy. The idea was an immediate hit in France, and Prénatal expanded quickly. It diversified its products to include baby items so that loyal clients could continue to have things to buy things even after pregnancy was over and motherhood began. Within two decades, there were two hundred Prénatal storefronts in France, with more around Europe and overseas.
One of the ways Publicis drummed up excitement for its clients was to design large displays at major marketing events. These photos show its Prénatal installation at a 1950s Foire de Paris (Paris Fair) which was held in the luminous Parisian marketplace, Les Halles. The photos are part of a new acquisition at the Hartman Center, a Collection of French Advertising Display Binders that feature photos of Publicis advertisements, installations, and displays from the 1950s. The Publicis-Prénatal strategy is evident in the slogan painted on the walls: “Tout pour la future maman…Tout pour le nouveau ne” (Everything for the mom-to-be…Everything for the newborn). The design of the Prénatal display showcased the message that ideal mid-century motherhood–glamorous, clean, elegant–was available with the signing of a check.
By the late 1960s, the message pedaled by Prénatal and Publicis had lost some of its charm. The very people who might have worn Prénatal clothes as infants grew up to challenge post-war ideas of consumerism and the heteronormative nuclear family that the company’s products celebrated. With the increasing availability of contraceptives in the late 1960s, women could aspire to more than a fashionable and well-heeled pregnancy. Mazart sold the company in 1972; it closed its last doors in 1997. More able than its client to adapt to changing cultural norms, Publicis today is one of the world’s leading multinational advertising and public relations agencies.
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This post is contributed by Erin Rutherford, Josiah Charles Trent Intern, History of Medicine Collections.Essays on physiognomy : designed to promote the knowledge and the love of mankind. Johann Caspar Lavater. London: Printed for Thomas Tegg, 1840, pg. 181.
“…there is no limit to the marvelous powers attributed to females” (Pliny, NH, 28.23).
When Pliny the Elder spoke of female powers in his Natural History, he attributed the most marvelous among them to menstrual blood. A menstruating woman could sour crops, tarnish mirrors, blunt razors, kill bees, drive dogs insane, and stave off hailstorms.
How unfortunate that the same womb which, in a woman’s younger years was blamed for such chaos, could be even more problematic in her later life.Glass lantern slide for teaching obstetrics, late nineteenth to early twentieth century. Philadelphia, PA: N.H. Edgerton; Received from George D. Wilbanks, MD and Evelyn R. Wilbanks, Ph.D. History of Medicine artifacts collection, 1550-1980s.
For centuries it was believed that the menses were a means to cleanse poisons from a woman’s blood. When a woman’s menstrual period came to a permanent end, toxins could accumulate and stimulate disease (in addition to a slew of physical and mental conditions). “The Change of Life,” as the cessation was referred to, was the harbinger of both barrenness and wildness, sullenness and excitability, lethargy and hysteria, volubility and melancholy. Pathologized and medicalized, this physiological transition was viewed as anything but a natural, biological process.
The term now widely used to describe this phase – menopause – comes from the Greek words men (“month”) and pausis (“cessation”). Since French physician Charles-Pierre-Louis de Gardanne coined the term in 1821, knowledge about what menopause denotes has grown significantly.The Viavi gynecological plates : designed to educate mothers and daughters concerning diseases of the uterine organs constructed under the supervision of Hartland Law, M.D.; Herbert E. Law. San Francisco : The Viavi Press, 1891
The items in this exhibit trace changing perspectives on menopause – from early proponents who labelled it a debilitating disease to the women who have reclaimed it as an empowering transition. The exhibit aims to make visible the experience of menopause, dispel myths, and encourage public conversation about a topic that has, for too long, been considered taboo. Its curation was inspired by the words of feminist Rosetta Reitz:
“I’m going to pull menopause out into the open, remove the cobwebs, clean it off, and look at it.” 
Curated by Erin Rutherford, Josiah Charles Trent Intern, The Change of Life: Menopause and our Changing Perspectives, runs from March 20 – July 14, 2018, and is on display in the Josiah Charles Trent History of Medicine Room.
 Menopause: A Positive Approach. Rosetta Reitz (1924-2008). New York: Penguin Books, 1979, c1977, pg. 1.
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